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Encounter with the Films of Farshad Fadaian. سنگ، مادر خاموش (1367ــ1366) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/02fad7a2-f6f5-4982-bf9e-c625aa4a69b1/029+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. آخرین بخشی (1382) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/11b186d1-466f-4e20-8f36-6c0388031efb/039+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. جهله (1395) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/8f6ca24c-d29f-4f6a-9892-aeaee65871cc/002+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. بُرنا (1386) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/de6e40e2-2c80-424e-9d78-77072cb42893/030+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. آسبادهای نِشتیفان، کنار قبرستان (1391) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/fba6a966-bba0-4506-8e8b-363e5df1865c/040+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. خلیل (1402) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/823bfc76-7b1a-4a4f-a760-e66b17d87a2e/003+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. درۀ «گوران»، «گهواره»‌ای که تکان می‌خورد (1387) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/b0bb4b57-f2f4-4929-ab06-3605c25d90c1/031+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. ذاکر (1386) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/ada5ea9b-a649-4b02-a409-97826fe45479/041+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. درۀ «گوران»، «گهواره»‌ای که تکان می‌خورد (1387) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/6952dfd4-c6ab-4e68-81b2-8e397c48a655/004+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. آسبادهای نِشتیفان، کنار قبرستان (1391) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/dc85da8e-f40f-4343-b48e-421cc09c42ef/032+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. ماسوله با خسرو می‌خندد (1392) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/c9d5094e-e923-484a-ad8a-85de6d757ca9/042+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. آخرین بخشی (1382) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/2ca31c70-62b7-4335-91da-08e2bfcb4fcc/005+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. یموت، یک خانه، یک ایل (1378) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/2082c36b-e698-46f8-9f36-fe8ed2b5ac7a/033+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. خانۀ بامَسِ مهربان (1384) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/9d9cc790-e89f-41b2-ba83-b3305e65f903/043+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. ذاکر (1386) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/30df8fb9-7b56-4dc3-b645-2bda25489074/006+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. اگر عزت به قهوه‌خانه نیاید (1389) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/5d59f413-6da8-4f9c-9d8c-eca0f71658a8/034+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. این بامداد خسته (1393ــ1376) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/0cd02a7c-ac25-45dd-b370-c9b6b8be2907/044+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. بُرنا (1386) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/9583cc84-325f-4da9-b5b0-76e833780a28/007+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. قلعۀ برقرار (1400) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/70046854-92d1-47c9-8548-86c734d478ba/035+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. یموت، یک خانه، یک ایل (1378) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/0c999d25-10e6-4eb4-876d-f928829e7556/008+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. این بامداد خسته (1393ــ1376) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/d202ed71-37b7-4df7-8693-0a5747d5f762/036+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. خانۀ ایّوب (1383) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/df9d75ac-f999-4de1-9b6b-95b990d3f650/009+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. آخرین بخشی (1382) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/13170c46-31f6-4185-bbcb-0852b51d7de8/037+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. برادران اسماعیلی، همسران و فرزندان ... (1391) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/cb619c2c-76f6-4aea-aae9-1e6a80927758/010+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. برادران اسماعیلی، همسران و فرزندان ... (1391) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/6ce8ed9e-c3ef-4c8b-9717-2d7b7d38a04d/038+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. لمه (1402) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/b6d6a379-6e4a-44ba-8024-0d23de52c020/011+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. خانۀ بامَسِ مهربان (1384) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/65264705-ef1c-4c26-87b9-31fec01bd641/012+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. معلّا تنها نیست (1390) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/740ba9a4-56e2-47ba-9505-7dab56a0f74d/013+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. بار دیگر، آن خانه (1383) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/198bc468-ac0d-48f2-b98b-ec5c24d6afb8/014+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. درۀ «گوران»، «گهواره»‌ای که تکان می‌خورد (1387) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/db08a891-7741-4c34-9db8-2b9e746b75fb/015+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. شاعری که به مردمش نان می‌دهد (1393) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/5ea50514-f1e5-43f2-965b-791a90e3a8f0/016+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. یموت، یک خانه، یک ایل (1378) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/3642350d-86c7-4ddd-ba1c-57fe1823306d/017+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. بار دیگر، آن خانه (1383) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/041a98e6-f42a-4b11-a05d-b874cd398c29/018+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. چهار پنجره رو به یک حیاط (1392) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/d674146e-eb3a-4094-8386-98313ab17918/019+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. بی‌اسب هم ترکمنم (1391) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/cf757caf-e4a5-41e4-9705-3edfa6da1dac/020+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. آخرین بازمانده: شهربانو (1384) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/98bc4d8f-2e2e-470d-b653-52433bd89ef5/021+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. دو زن (1395) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/43aa79d4-1387-4fbf-95a8-753a147cb070/022+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. خانه‌ای که پسرش را در شهر گم کرده (1390) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/9da1d6bc-08dc-45f3-b4d3-2bfc291c0013/023+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. خانۀ ایّوب (1383) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/c50a2997-e09f-4f14-9b71-1d7dc15ef80c/024+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. درۀ «گوران»، «گهواره»‌ای که تکان می‌خورد (1387) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/3833d0ef-2515-45aa-be5f-f09ccddfb8c8/025+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. آخرین بخشی (1382) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/ca93f6b7-2cb2-4361-8212-95b958122d03/026+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. ذاکر (1386) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/43004d79-e7f9-4a26-b465-a10923684dcd/027+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. بُرنا (1386) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/be22c668-4731-4209-80d5-62da0702b0a2/028+copy.jpg Death, Mother / Nature, Silence: A Phenomenological Encounter with the Films of Farshad Fadaian. یک جمع گُداری (1394ــ1391) 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https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/13367440-407c-4289-ab7d-093a1fac83ac/002.jpg شناسنامه ی کارخانه ای فراموش شده (سه اپیزود) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/9a6e5d0d-6cd0-4da6-94a5-53d48765479a/003.jpg شناسنامه ی کارخانه ای فراموش شده (سه اپیزود) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/d6229317-6a7f-42b5-9017-47286c347256/004.jpg شناسنامه ی کارخانه ای فراموش شده (سه اپیزود) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/77ecb84e-c701-4fc2-aa00-38feedebab46/005.jpg شناسنامه ی کارخانه ای فراموش شده (سه اپیزود) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/aa879001-beb7-487b-86a2-475d85d2c70d/006.jpg شناسنامه ی کارخانه ای فراموش شده (سه اپیزود) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/6aaac403-cf9c-4af2-8e34-c2ef277f2270/007.jpg شناسنامه ی کارخانه ای فراموش شده (سه اپیزود) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/39261bbb-1b72-4bf9-af1b-770c4b68c455/008.jpg شناسنامه ی کارخانه ای فراموش شده (سه اپیزود) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/00d02173-fb81-401d-b2d3-21ad0cfa2097/009.jpg شناسنامه ی کارخانه ای فراموش شده (سه اپیزود) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/8c89d318-caee-4fe8-8c2f-d16c6049bff4/010.jpg شناسنامه ی کارخانه ای فراموش شده (سه اپیزود) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/cd5cd32b-9ae6-4418-ac77-f2b7a203af3e/011.jpg شناسنامه ی کارخانه ای فراموش شده (سه اپیزود) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/7d4bc350-a042-4cdb-915d-f0cec71c1a7e/012.jpg شناسنامه ی کارخانه ای فراموش شده (سه اپیزود) https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/40aef245-a988-4104-9304-d8fa9afce93f/Factory+1992.jpg https://www.farshadfadaian.com/posters daily 0.75 2025-08-01 https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/dae27e4a-6f8c-4df8-bcf2-ff6c0fae0bb2/92-1+2017.jpg Posters In a daily routine, ninety individuals with intellectual disabilities gather in one location. There, they are instructed on how to adapt to themselves, to others, and to their circumstances, using the limited cognitive abilities they possess. The aim is to enable some of them to reintegrate into ordinary social life... These individuals, both children and adults, are often viewed with embarrassment by society and many families, who withhold even the most fundamental social and individual rights from them. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/8308fd90-d989-44a7-aa5c-0334098db3c7/A+Man+With+A+Cup+Of+Tea+Sand+2022.jpg Posters This is the story of Mahmoud Zand Moghadam who has now transformed himself into a Baluch nomad; his ears, senses, flesh, bones, and clouded mind, all bear the marks of the suffering of this unfortunate people. His existence, wounded and battered by the battles of fate, has withdrawn into solitude to such an extent that it seems he himself is a Baluch, brought to life by the wrath of existence. A man harmed by the scarcity of bread in the course of life's hardships, and his share drawn from the sand-filled tea cup in the deserts of Baluchistan. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/986ce48a-76ae-4014-9fb3-ec21dd7f2a3b/A+Report+On+The+Remaining+Doors+And+Windows+2014.jpg Posters When walls collapse, doors and windows collapse with them, but doors and windows are more enduring. Collapsed walls are easier to rebuild. However, doors and windows have a different story. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/45cb45ba-bb1a-46f0-bd8e-7083df19e02f/Absal.jpg Posters The process of producing a product in a factory. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/15f3342b-e65d-407c-a7e7-d0e7b67aee79/A+Godar+Gathering.jpg Posters The feature documentary 'A Godar Gathering' is a report on the music of a group of nomads from eastern Mazandaran, the Godar people. The Mazandaran nomads live scattered on the outskirts of towns and villages such as Nour, Chamestan, Amol, Babol, Qaemshahr, Savadkuh, Sari, Juybar, Neka, and Behshahr, extending to the foothills of the Gorgan mountains. The current population of the nomads in these areas is unknown, but it is estimated to be around thirty thousand. Most nomads, due to their constant movement, are largely deprived of urban and rural services. The Mazandaran nomads are primarily divided into two groups: 'Ghorbati' or 'Juki,' who are blacksmiths and woodworkers, and 'Godar,' who are wandering minstrels and hunters of boars in fields, reed beds, farmlands, and forests. It is said that these two groups of nomads were brought to Iran by Nader Shah after his campaign in India. Today, due to changes in urban and rural affairs and the obsolescence of many traditional agricultural and household tools, as well as the decline of local and ethnic music, these people, despite their hereditary and traditional attachment to their old customs, are forced to engage in other activities and jobs. The skilled minstrels of the Godar have managed to transform the music of eastern Mazandaran into a unique narrative by incorporating instruments like the dotar and kamancheh and by drawing on the music of northeastern Khorasan and Turkmen music. The Godar, like the Ghorbati or Juki, continue to lead a lifestyle that is uniquely their own. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/30230897-6c56-464f-8ee6-deafb37b763b/All+Patients+of+This+Doctor+2014.jpg Posters Khomam. Several generations of patients, who are now spending their old age, have been treated by him because they deeply believe in both him and his medical practice. They even get prescriptions from him when they are not ill, hoping that they won't get sick in the future! https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/1ec836d4-eeb5-4987-bfc9-6142aa901c0a/Belqeys+2023.jpg Posters Generations ago, amidst the lush landscapes of Mazandaran, mothers in both rustic hamlets and bustling towns bore forth abundant offspring. They not only nurtured their broods but also toiled the earth and deftly wove on looms whatever their hearts desired and hands could craft. And in the fullness of time, with steadfast resolve, they bore the pains and repercussions of their labors with grace. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/983beb13-673b-4569-b421-bbd33a3b7837/Beneh+2025.jpg Posters A simple reflection on the coexistence of humans with nature and animals. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/6c9193bb-5ba6-4862-bdf5-c9e1a9b26f33/Borders+2003.jpg Posters Borders: A free interpretation of the process of setting up an exhibition (works of an Iranian sculptor) in Vienna with the theme of borders! https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/3e59c27e-8a4d-4f66-b0ce-b030f52c15cc/Bubble+2012.jpg Posters My old friend Kambiz Sabri, an Iranian sculptor, told me about a very short performance many years ago and insisted that I make a film as short as that. I am a documentary filmmaker, and there isn't much fantasy in my films. Therefore, I always told him that he could do it himself with a simple camera. Kambiz's original idea involved an aquarium, a person in the aquarium, colorful fish, and bubbles and colors coming out of the person's mouth. All of this was supposed to become a one- or two-minute performance, either live or filmed, to be presented in a gallery. A year or two passed. The last time he came to me and talked about this idea, he insisted that it somehow be realized. I asked, "Is the aquarium ready?" He said, "It's ready." I said, "I'll make it. But not just what you said! I'll complete it with additional and complementary ideas." He agreed. And when I saw the aquarium that same day, my ideas expanded. The next day, with my camera, a simple crane, and a few lights, we started at eight o'clock in the evening and finished the work three hours later. Kambiz provided everything I asked for. He is an unpretentious and kind sculptor; from hot tea to a razor to smooth out his head and body, transforming him into a child... Small black, red, and white fish were already prepared in a small aquarium, and he had already practiced holding his breath. During the filming, he would come out, take a breath, and go back underwater. We changed the water three times. The last time, when the idea for the final scene came to my mind, we kept the dirty water to film it draining out. Sahar Fadaiyan photographed the behind-the-scenes, my dear colleague Majid Ghorbanifar was my assistant, and Faraz Fadaiyan assisted with editing and designed the opening credits of the film. Both Kambiz and I were not inclined to explicitly state the ideas and content of this short film. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/d2756c60-e6f7-4c95-a47a-b9e70abfe1ad/Entrances.jpg Posters The entrance is a space between the domain of the alley and the house’s courtyard. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/38f62f0a-a71b-4bde-bbda-5a5180f772d5/ES.jpg Posters Over the past decades, nomadic tribes and pastoral communities across Iran have gradually disintegrated, their ancestral traditions unraveling one by one. Yet, some tribes still resist forced dissolution and permanent urbanization. The Esmaeili tribe is among them. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/79f41570-5aaa-434b-92f5-0b1cbd7b782e/Ezzat+2010.jpg Posters The safe haven of the elders of Masuleh is a coffeehouse; a coffeehouse that has no meaning without its coffeehouse keeper, Ezzat, because it is there, and with Ezzat's presence, that old age, death, and everydayness—if not forgotten—are mocked. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/b278a170-afdf-4fd7-86a7-64482b0a7b39/Factory+1992.jpg Posters The Ray Cement Factory, the forefather of Iran’s cement industry and one of the country’s pivotal industrial enterprises, is the subject of this documentary, which reflects its state of near ruin. It follows the factory’s formation and development from the early Pahlavi era to the days of its decommissioning. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/2cacfebd-78f3-46ce-9100-aae9d713562d/Four+windows.jpg Posters Four women from the village of Masuleh, alone yet together. They soothe their loneliness, in the absence of their children and husbands, in a shared courtyard. A courtyard that is the rooftop of another house. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/0f19f254-424e-4903-81f2-3bf43d29c598/Galesh+Menzel+1996.jpg Posters A story about a cowherd family centered on a Galesh teenager and his relationship with the cows and his surrounding environment. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/4b3dc6d6-0c34-4649-899f-c66c97a48d1c/Gisoo+2013.jpg Posters Talesh. “Gisu” is a poor and lonely woman who lives in a forest hut. Years ago, due to an ailment, she lost her sight, but despite her loneliness and blindness, every now and then, she joyfully dyes her hair with henna with the help of her neighbors. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/4c74e662-7df6-482e-a525-17f4f1bc0efd/He+and+his+birds.1996.jpg Posters In the short film "He and the Birds," the filmmaker uses, revisits, and reinterprets the works of a painter, presented under the name "Self-Portrait" in an exhibition, to express his own conceptual ideas. These concepts include love, war, censorship, human loneliness, and the chaos of the world, viewed beyond the geographical boundaries of any land. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/3cfe0caa-c64f-4eb8-9881-f91076067be7/Jahle+2016.jpg Posters "Jahle" is a type of clay jug with a short or tall neck. People in the region of Hormozgan, until recently, used it to keep water cool in the scorching heat of the south. Only a few Jahle makers remain, mostly in Minab. Nowadays, Jahle is not only used for cooling water but also in some households, paper flowers are placed in them. Jahle is also employed elsewhere because of its rounded shape and delicate body. It is used as a kind of percussion instrument either individually, alongside other Jahles, or within a group of traditional percussion instruments. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/c421c385-071a-4e46-a053-2d8d89edb256/Khalil+2023.jpg Posters Name: Khalil. His profession: shepherd. Another skill of his, playing the “LaleVa” instrument. He isn't, by today's standards, considered an artist, as both of these professions are inseparable. Playing the “LaleVa is intertwined with shepherding. As a child, he learned the ways of shepherding from his father, who was a shepherd, and he mastered the intricacies of playing the “LaleVa on his own. He crafted the tools for this craft himself. The livestock, whether his own or others', were his responsibility. He had a wife, but she passed away long ago due to illness. He isn't sure how old he is—whether he's ninety or seventy-something! He has no connection to the town. Though he's compelled to stay in the city due to illness, even in sickness, he doesn't stop playing the “LaleVa, even if his breath, due to severe lung disease, doesn't support it like before. Coughs and occasional pains have become his refuge. For the past year or two, he's always yearning for his cattle and herds. He, who tended to livestock all his life, now receives care from his kind sister, resorting to the medications and treatments of the city doctor, albeit not as fondly as to the "Tah-Tune" for healing eye wounds. The "Tah-Tune" he crafted and adorned himself, in the most remarkable manner, with simple tools. Perhaps the "Tah-Tune" will bring his breath back to playing the “LaleVa. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/374d40a6-c6f7-4327-9c3e-9f24fc9ddd91/L.A.B+2.jpg Posters Development process within the factory. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/6154cdfd-f397-40e8-a3db-161579e2ba0e/L.A.B.jpg Posters The process of constructing a linear alkylbenzene (LAB) plant. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/884a8c51-794c-46bb-a9da-1d0e291489da/Lameh+2023.jpg Posters Felt or "Namad" is an underlay that is not woven. It is made from the fleece and wool of sheep, camels, and rabbits, and it's crafted by kneading, pounding, and rubbing with human hands, feet, and elbows. Felt is one of the oldest and most primitive underlays in the world. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/dcfe7ba0-7e00-4f8d-823a-7176e1a8ee35/Masouleh+laughs+with+khosrow+2013.jpg Posters Khosrow, eighty years old, has a daily routine where he takes his sick and elderly wife, along with her hand-knitted sock frames, to the lamppost outside their home four times a day and then brings her back inside. He spends his days wandering around the village, engaging in lighthearted conversations with the men and occasionally the women. At the end of each day, Khosrow's wife waits for him by the lamppost. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/d242be8b-50da-46ab-a04d-18df70bc7251/me+and+one+round+of+fishing+-+2011.jpg Posters Fishing groups using the beach seine method in the Anzali coast go to the sea five times a day. This film captures the parallel movement of the fishermen’s fishing activity and the filmmaker’s recording of the fishing process. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/4c597868-b917-4cc4-ba60-bd917fc9632d/Moalla+2011.jpg Posters moalla, uninhabited and silent, has long been empty, except for an old man, worn down by age, who, out of pride in being from Ma'la and love for his now-fading paradise garden, has not abandoned it. He tends to its dripping spring and fruit trees. Ma'la was a small paradise in the heart of the desert. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/5f4e3924-80b2-4404-ab5b-58c3528c7a67/My+mother+Borzolan+2012.jpg Posters For sixteen years, he was a teacher in the remote village of borzolan. He spent all his youth with the village children. Now, he was informed that his mother in the city had become sick and was alone. He had to either leave this mother, meaning borzolan with its children, or his own mother. This difficult event happened on a single day, and my accidental arrival in the village (northwest of Khorasan) on that particular day led to the recording of that incident. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/46782166-4e2b-4cc2-971b-27a72bb8bfa8/NET.jpg Posters Parallel movement of the process of producing fishing nets and fishing activities in the northern and southern seas of Iran. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/d5a76c0f-3db8-4ebe-a738-724db5d56053/Nishtifan%E2%80%99s+Windmills+2012.jpg Posters Khaf, the northern edge of the desert. South Khorasan. A place where water is not abundant, indeed, it is scarce. The people’s wheat must be ground, whether by windmills or watermills. Here stand the magnificent and astonishing windmills of Nashtifan, more than just one, many, rising tall and capturing the wind. And yet today, of all those windmills, though still standing, only one turns, powered by a single man, bringing fiery flour to the table, and that is all. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/0473935a-b5ab-4cc8-bc93-344eeefd8c81/OldNew.jpg Posters A field description of a village-town that, in a time long past, was old—then became new—and now, in its renewed newness, is growing old once again. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/1cbdd8b6-0a62-44cc-8e61-dcefb7cc5c38/Ossa+Jalil%27s+Sickles+2012.jpg Posters Ossa Jalil is one of the two elderly blacksmiths remaining in Masuleh. Although he continues to hammer on the anvil and hot iron beside the forge in his old age, the sorrow of losing his wife and the delusion of death never leave him. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/6424a9f8-bdcf-4b4e-a0e3-4ccae0507d6f/Quarantine+Etudes+2020.jpg Posters Throughout the months of the onset of the COVID-19 pandemic, the filmmaker spends his days and nights in quarantine conditions. He captures a series of such circumstances in fourteen episodes. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/9f94932f-8dfe-4b6f-811c-8567dc2f452d/Sea+at+house.+Ship+on+the+wall+2016.jpg Posters "Suru Neighborhood, Bandar Abbas. "Uncle Ali," the protagonist of this documentary, is a retired fisherman who has spent years fishing and sailing. Now, he is an elderly man, weathered by the rigors of life, and remains as the last remnant of the many fishermen of this neighborhood. Uncle Ali, still attached but disheartened by the palm trees, fish, sea, boats, and ships, spends his days yearning for them. He lives with his wife in a house where corners of the courtyard are reserved for their children. Despite his inclination and by compulsion, the palm trees of the house, one after another, have been trimmed into palm fronds by the hands of a skilled worker. Although Uncle Ali has eyesight problems, he meticulously paints boats, ships, and fishing vessels on the surface of a wooden board, along with all the details, using palm fronds and paint. These are the vessels he navigated as a fisherman for over forty years, ensuring that his grandchildren and children understand what his work and life were all about." https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/21cb5472-7646-423f-b216-6122868043d8/Shahrzad+1998.jpg Posters “Shahrzad” is the tale of a warrior from the desert and a nomadic fortune teller named Shahrzad. The two clashed with one another, imprisoned each other, and ultimately found each other in the valley of death. The commander, trapped by a mirage in the heart of the desert, and Shahrzad, on the edge of the desert, turned into a statue in eternal waiting. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/276ab513-1d9f-49bb-81ed-c3459ad08fef/Shirin+2010.jpg Posters When the tea fields run dry and the houses wither into worthless shanties, Shirin Nesa too is cast adrift- left without a home. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/7eec73b7-7933-4885-b9c7-ccf4c4f4cc1e/Stone%2C+The+silence+Mother+1987-1988.jpg Posters To some extent, it’s true that after the documentary Stone, the Silent Mother was produced — along with efforts by a small number of individuals in the ornamental stone industry, diamond wire cutting and controlled blasting gradually replaced the irrational method of extraction using explosives. When I was first approached to make a documentary condemning the way this national treasure was being treated, the harmful nature of the existing extraction method had not yet been fully recognized, and there was little enthusiasm within the industry to adopt more modern and respectful techniques. Fortunately, today, not necessarily because of this documentary, but perhaps due to a variety of other reasons, that old method has become obsolete. A more humane and respectful approach is now taken toward this beautiful natural phenomenon. The first version of the documentary was longer and somewhat tear-jerking, and I didn’t feel comfortable with it. Since I fundamentally oppose dramatizing documentary work, I re-edited the film. The version currently available reflects my vision and approval. One could say Stone, the Silent Mother, is both my first industrial documentary and my official entry into the world of documentary cinema. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/93f01dee-23c6-4d49-9931-9d1f0a1f2890/The+Butcher%27s+boy...+2012.jpg Posters The butcher’s boy spends his time playing with pigeons and taking care of them, but he also learns how to handpick, slaughter, and prepare the finest sheep for sale in their butcher shop. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/09a89ddf-7e9d-496c-b984-e1f54f145b80/The+Carpenter%2C+attar%E2%80%99s+son+2011.jpg Posters For six months, Mr. Attarpour, the town’s veteran carpenter, hasn’t set foot in his workshop. Unfinished projects await his return, but when he finally revisits them, he feels he may have lost the ability to work, perhaps forever. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/b823ff21-61eb-4762-9038-27a44541989b/The+House+That+Lost+Its+Son+in+the+City+-+2011.jpg Posters Manijeh is a lonely woman living in a modest house with a few cows, chickens, and roosters deep in the forests of Talesh. For years, she has lost her son in the city… she possesses no birth certificate, no national ID card, not even a photograph of him to help her find him. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/9a7a49b1-96d2-40a7-be73-04987aa7ac13/The+House+Whose+Sunlight+Was+Stolen+2025.jpg Posters The erasure of a city’s memory is to abandon its old homes to ruin. It matters not who once owned each house; the more the city empties of them, the closer it draws to its own grave. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/18591dde-7354-4835-978b-64455226de37/The+Poet+Who+Gives+Bread+To+His+People+2014.jpg Posters Sattar Souqi is a poet from the Turkmen people. Now, he also provides bread for the people of his village. He, his wife, and sometimes his son work tirelessly to keep their bakery running. His own house is right next to the bakery, with its entrance facing the street. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/d80121c4-0e65-4090-9c92-ffabd58ee3be/The+Tale+Of+Ossa+Ahmad%2C+The+Carpenter+2018.jpg Posters Ossa Ahmad is known to all the inhabitants of the semi-mountainous, semi-forested village of Mazandaran. He, in the past, has shaped and constructed the doors, windows, and ceilings of the neighboring houses and villages with his own hands. He is a nimble man with a slender frame, weathered by time but still engaged in the trades of carpentry and construction. Ossa Ahmad owns a plot of land for sugarcane cultivation and has a daughter afflicted with kidney disease. He is now concerned for both the health of his thirty-two-year-old daughter and the fate of his own home, which, like other handcrafted houses in the village, is at risk of collapse from mice and termites. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/e5d7019f-eed2-4421-a327-7f4210c41070/This+house+is+my+mother+2013.jpg Posters An old house in Isfahan. Four family members are debating whether to renovate the house or let it become a ruin and leave it; the desire to preserve and stay in the house is stronger than leaving it. In respect of the family's decision to preserve and renovate the house, I transferred the ownership of this documentary to the family. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/9e071a8f-7be0-4de1-bea0-909ecc4069b2/This+Weary+Bamdad+1997+-+2015.jpg Posters A documentary utilizing a portion of the footage and images that were intended for a multi-hour documentary titled 'Shamlou in the Mirror,' which, due to the untimely death of this esteemed poet and after a seventeen-year hiatus, has been transformed into a documentary titled 'This Weary Bamdad.' https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/974fbc1a-269c-41bf-9b84-185020380160/turkmen.jpg Posters The Turkmens have long believed that if they fall from their horse, they will lose their essence. Today, though they have fallen from the horse, it seems they have not yet fallen from their essence! https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/544ecd4a-ccda-4eb9-ad70-ae0ce199c73a/Two+Women+2016.jpg Posters "For fifteen years, throughout all seasons, from dawn to dusk, they venture into the forest and foothills, picking and digging edible wild plants. In spring and summer, they transplant rice seedlings in other people's fields in the plains and valleys. This is how they sustain their daily lives. 'Olia' and 'Jan Khanum' both lost their spouses in their youth, and since then, they have taken on the responsibility of providing for themselves and their children alone." https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/79897685-0fd6-4424-9425-261a52877018/Surviving+Fortress+2021.jpg Posters Morteza sells his entire life in the city and on the outskirts of the desert, buying an ancient castle connected to hectares of abandoned and untilled land, and thousands of hectares of semi-arid pasture for grazing, and two ruined Qantas. Now for thirty years, the Qantas have been revived, and the lands prepared for cultivation, and Morteza and his wife have chosen the farm for their life and work. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/c6a85c22-7c74-4116-baa7-411096a672ab/With+Yousef%27s+Cows+2013.jpg Posters Yusef is an experienced herder who, due to suffering from acute cancer, has lost the ability to work. He transfers his cows and pasture to a young man who has recently quit his job as a factory guard in the city. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/8a96a00d-8ee1-45d2-8e2c-8c25e6bd98d8/SugareCane+Field+Lovers+2017.jpg Posters Mosayeb and Zahra, traversing their sixth decade side by side, find themselves unrewarded for their toil, despite the bountiful oranges of their orchard and the sugarcane fields. Alas, the orchard's oranges have perished in the cold, and half of their sugarcane fields lie charred, a casualty of their neighbor farmer's neglect. This year, for Mosayeb and Zahra, the opportunity for revisiting their enduring love dwindles, overshadowed by the urgency of survival. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/fb6b424d-e838-47f0-8136-c8150a28a571/Saeede+2007.jpg Posters When you come into the world one minute late, the world tightens its space around you, and only the toes of your left foot remain for you. This documentary, focusing on the left toes of a woman with muscular paralysis, depicts human behaviors and desires as she endures extraordinary suffering in an effort to align herself with the conventional world around her. https://www.farshadfadaian.com/poem-4 daily 0.75 2025-08-03 https://www.farshadfadaian.com/poem-5 daily 0.75 2025-08-03 https://www.farshadfadaian.com/poem-6 daily 0.75 2025-08-03 https://www.farshadfadaian.com/poem-7 daily 0.75 2025-08-03 https://www.farshadfadaian.com/poem-8 daily 0.75 2025-08-03 https://www.farshadfadaian.com/poem-9 daily 0.75 2025-08-03 https://www.farshadfadaian.com/poem-10 daily 0.75 2025-08-03 https://www.farshadfadaian.com/poem-11 daily 0.75 2025-08-03 https://www.farshadfadaian.com/poem-12 daily 0.75 2025-08-03 https://www.farshadfadaian.com/poem-13 daily 0.75 2025-09-13 https://www.farshadfadaian.com/poem-14 daily 0.75 2025-08-03 https://www.farshadfadaian.com/poem-15 daily 0.75 2025-08-03 https://www.farshadfadaian.com/poem-16 daily 0.75 2025-08-03 https://www.farshadfadaian.com/poem-17 daily 0.75 2025-08-03 https://www.farshadfadaian.com/poem-18 daily 0.75 2025-08-03 https://www.farshadfadaian.com/poem-19 daily 0.75 2025-08-03 https://www.farshadfadaian.com/poem-20 daily 0.75 2025-08-03 https://www.farshadfadaian.com/goran-valley-a-rocking-cradle daily 0.75 2025-09-16 https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/f02ee318-5372-4589-a11c-847f1c64e91f/001.jpg دره گوران، گهواره ای که تکان می خورد https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/b6437677-c286-4662-b433-a8bd5b95d447/002.jpg دره گوران، گهواره ای که تکان می خورد https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/7ff7aae8-bcbb-4eb7-8d24-9edebe068255/003.jpg دره گوران، گهواره ای که تکان می خورد https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/a622b0a3-baaa-477a-a0d2-b1e603841bb4/004.jpg دره گوران، گهواره ای که تکان می خورد https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/8ca3a572-fcc4-42d5-9caf-d0b51bb60773/005.jpg دره گوران، گهواره ای که تکان می خورد https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/deb2b304-5d66-45c0-b84d-952ea320973b/006.jpg دره گوران، گهواره ای که تکان می خورد https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/806a860d-f7d3-430c-997a-b0e5e53033ea/007.jpg دره گوران، گهواره ای که تکان می خورد https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/8d0e4636-faa3-4806-b09f-0f16434472b4/008.jpg دره گوران، گهواره ای که تکان می خورد https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/405d7578-9fcb-4772-bed4-945ad2f130b2/009.jpg دره گوران، گهواره ای که تکان می خورد https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/5b4dc695-2495-4e09-a53d-3a0267b6984e/010.jpg دره گوران، گهواره ای که تکان می خورد https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/29a6dfa1-5084-4f1c-8f8e-72c7c871ebb5/011.jpg دره گوران، گهواره ای که تکان می خورد https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/db3f6866-432d-4e6b-b199-4d0b44f326fe/012.jpg دره گوران، گهواره ای که تکان می خورد https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/7aa4f22e-df53-4350-abea-36c1fcd7f968/013.jpg دره گوران، گهواره ای که تکان می خورد https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/e9a911f9-3404-4fb6-b392-34ff406396ff/Gahvare+2008.jpg https://www.farshadfadaian.com/the-left-toes daily 0.75 2025-09-16 https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/46b68ed6-8547-48c6-a292-c97c1af80605/001.jpg انگشت های پای چپ https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/8fc852fc-a827-42cb-bb78-1d069fe6d789/002.jpg انگشت های پای چپ https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/2e5eec9c-4c42-43b4-aa53-8193426af007/003.jpg انگشت های پای چپ https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/dde1c000-18b5-45dc-9b90-99c390dc2c2d/004.jpg انگشت های پای چپ https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/4c21d41e-ab88-493d-829a-bf99c6051300/005.jpg انگشت های پای چپ https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/85b8fc1c-f750-4fc6-8856-90fb8cf29842/006.jpg انگشت های پای چپ https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/7053c26a-8e84-40b6-a88a-e52ff0b26e3b/007.jpg انگشت های پای چپ https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/8ce228e8-fce3-4fa8-bbe0-6def397357eb/008.jpg انگشت های پای چپ https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/9074c038-059b-4684-8929-2b24e59f996c/009.jpg انگشت های پای چپ 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https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/f755788c-8bc2-4e30-b1f0-53ceb7eaa754/017.jpg انگشت های پای چپ https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/0f73c415-6877-450a-b5a3-f2e630dc3750/Saeede+2007.jpg https://www.farshadfadaian.com/the-last-bakhshi daily 0.75 2025-09-16 https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/cdbc01b3-dcef-46e7-bdac-02d4ff32a139/001.jpg آخرین بخشی https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/9bca65ad-2bd7-49e1-a422-91d8a15bad30/002.jpg آخرین بخشی https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/f8f37572-19ba-46f8-a2ec-6ff110ea6389/003.jpg آخرین بخشی https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/f733a87d-af33-46fd-ab10-c25a014822eb/004.jpg آخرین بخشی https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/2f837fb7-5a4f-477a-82c2-6e7ca3599e67/005.jpg آخرین بخشی 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https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/bad0853c-34f5-49e9-af99-d9bbdad836a5/Cover.jpg https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/5e9a5fa7-11eb-4975-ab2e-46858d72a42f/zabaneh+copy.png https://www.farshadfadaian.com/work daily 1.0 2026-02-02 https://www.farshadfadaian.com/work/posters monthly 0.5 2025-09-16 https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/871b758d-c214-4998-83c6-6cf51e85e899/from+dust+to+stone.jpg Work - Films Posters The process of extracting and processing barite soil (for oil and gas drilling) and rock salt in the mountainous and desert regions of Iran. This short documentary is my first work and has not yet been screened. The film is my steadfast perception of cinema and documentary cinema in the realms of the use of sound, silence, music, image, and editing. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/7eec73b7-7933-4885-b9c7-ccf4c4f4cc1e/Stone%2C+The+silence+Mother+1987-1988.jpg Work - Films Posters To some extent, it’s true that after the documentary Stone, the Silent Mother was produced — along with efforts by a small number of individuals in the ornamental stone industry, diamond wire cutting and controlled blasting gradually replaced the irrational method of extraction using explosives. When I was first approached to make a documentary condemning the way this national treasure was being treated, the harmful nature of the existing extraction method had not yet been fully recognized, and there was little enthusiasm within the industry to adopt more modern and respectful techniques. Fortunately, today, not necessarily because of this documentary, but perhaps due to a variety of other reasons, that old method has become obsolete. A more humane and respectful approach is now taken toward this beautiful natural phenomenon. The first version of the documentary was longer and somewhat tear-jerking, and I didn’t feel comfortable with it. Since I fundamentally oppose dramatizing documentary work, I re-edited the film. The version currently available reflects my vision and approval. One could say Stone, the Silent Mother, is both my first industrial documentary and my official entry into the world of documentary cinema. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/b278a170-afdf-4fd7-86a7-64482b0a7b39/Factory+1992.jpg Work - Films Posters The Ray Cement Factory, the forefather of Iran’s cement industry and one of the country’s pivotal industrial enterprises, is the subject of this documentary, which reflects its state of near ruin. It follows the factory’s formation and development from the early Pahlavi era to the days of its decommissioning. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/45cb45ba-bb1a-46f0-bd8e-7083df19e02f/Absal.jpg Work - Films Posters The process of producing a product in a factory. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/6154cdfd-f397-40e8-a3db-161579e2ba0e/L.A.B.jpg Work - Films Posters The process of constructing a linear alkylbenzene (LAB) plant. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/4c74e662-7df6-482e-a525-17f4f1bc0efd/He+and+his+birds.1996.jpg Work - Films Posters In the short film "He and the Birds," the filmmaker uses, revisits, and reinterprets the works of a painter, presented under the name "Self-Portrait" in an exhibition, to express his own conceptual ideas. These concepts include love, war, censorship, human loneliness, and the chaos of the world, viewed beyond the geographical boundaries of any land. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/0f19f254-424e-4903-81f2-3bf43d29c598/Galesh+Menzel+1996.jpg Work - Films Posters A story about a cowherd family centered on a Galesh teenager and his relationship with the cows and his surrounding environment. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/ca431e28-af5a-4791-8ee6-e356f46e6848/Seyyed+1997.jpg Work - Films Posters Turkmen children spend their weekends in a Sunni religious school with a strict Naqshbandi Sufi order. At the end of the week, they leave the place to return to their homes. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/7d49d66c-4164-4d0d-bf9f-59b4e9881925/Mosaferan+1998.jpg Work - Films Posters A long seasonal migration of the Bakhtiari nomads from their winter pastures to their summer pastures in southern Iran, centered on the presence of children. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/21cb5472-7646-423f-b216-6122868043d8/Shahrzad+1998.jpg Work - Films Posters “Shahrzad” is the tale of a warrior from the desert and a nomadic fortune teller named Shahrzad. The two clashed with one another, imprisoned each other, and ultimately found each other in the valley of death. The commander, trapped by a mirage in the heart of the desert, and Shahrzad, on the edge of the desert, turned into a statue in eternal waiting. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/73eb094d-44cc-4916-9044-1d1f7c654db2/Yomut+1999.jpg Work - Films Posters A symbolic portrayal of migration and the presence of ethnic groups from beyond Iran’s borders into this land. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/7b9f14b2-0d03-4424-9592-ec87999780f7/Sazeh+2001.jpg Work - Films Posters https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/46782166-4e2b-4cc2-971b-27a72bb8bfa8/NET.jpg Work - Films Posters Parallel movement of the process of producing fishing nets and fishing activities in the northern and southern seas of Iran. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/defc2415-95f5-4f21-99cd-ec38f1410da4/Water+Structures+in+the+Civilization+of+Khuzestan+2002.jpg Work - Films Posters https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/374d40a6-c6f7-4327-9c3e-9f24fc9ddd91/L.A.B+2.jpg Work - Films Posters Development process within the factory. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/7bb720a6-7000-4f57-92b4-bea50bfa4b9a/Bakhshi+2003.jpg Work - Films Posters Meeting with the last survivor and the final generation of the storytellers of the Bakhshi tradition in the music of Northern Khorasan. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/6c9193bb-5ba6-4862-bdf5-c9e1a9b26f33/Borders+2003.jpg Work - Films Posters Borders: A free interpretation of the process of setting up an exhibition (works of an Iranian sculptor) in Vienna with the theme of borders! https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/775c5a2e-877c-477c-9509-697c723d9040/No+Entry+2003.jpg Work - Films Posters A redefinition of the concept of dependence as a substitute for the term addiction. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/cb2b56aa-0573-4d48-a97e-bfe191553a3e/Once+Again.jpg Work - Films Posters Twenty years before making this film, the filmmaker had traveled to the village of Ziarat (Gorgan) to photograph the unique architecture of the houses and the people. Now he has returned once again, and this time, other events have taken place… https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/eb19a555-0b3f-4c4f-8146-72b792b1679d/Ayoub.2004.jpg Work - Films Posters An intimate weaving of home, labor, land, and animals, intertwined with the lives of two women, a man, and a young boy. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/1de29c77-704f-4b4a-acd7-1b70269074a8/House+within+House+2004.jpg Work - Films Posters The final encounter of the sole survivor among the inhabitants of a large family’s home - a labyrinthine house; a house that is not just a house! https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/66d89284-b581-43f2-b98f-a0639cf88c47/Ozra.jpg Work - Films Posters The tale of the last surviving bride of the Yerdi Georgian family, and the fate of the houses in Darband of the Georgians. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/d2756c60-e6f7-4c95-a47a-b9e70abfe1ad/Entrances.jpg Work - Films Posters The entrance is a space between the domain of the alley and the house’s courtyard. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/d1712181-af87-433a-9af3-e02a4f1948c5/Shahrbanoo.jpg Work - Films Posters Haji Baqer is a lone villager living in the middle of the desert. A garden, a small herd, a qanat with a trickle of water, and Shahrbanoo - his last remaining companion! Five years later, Haji Baqer stands deserted. Shahrbanoo leaves for Anarak. The garden withers, the qanat collapses, and Haji Baqer is left in ruins. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/d16c1b2e-4e29-4b25-a55d-f7f4f92a9d3b/Bamas.2005.jpg Work - Films Posters The 120-year-old house of “Bamas Mehraban” was built in Yazd by one of the seven children of “Mehraban Rostam-Mehr-e Rustam,” named “Mehraban,” who was known as “Bamas Mehraban” (Grandfather Mehraban). https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/409c9916-e8df-4064-85e9-ba0c1c1daad9/Darius+And+Banoo.jpg Work - Films Posters A portrait of solitude and the weary routines of an elderly Zoroastrian couple, living within the fading walls of an old Zoroastrian house in Yazd. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/c29bd140-7f0b-4362-a3f5-f6e8c382e355/Borna.2005.jpg Work - Films Posters Borna is a dotar player from the village of Timeneh in Khorasan. He, his sister, and his children sing and play music. He breaks stones in a stone quarry, and when it rains, he also works as a farmer. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/3286cd11-6f7e-4e1a-b7ff-14647bd714f6/zaker+2007.jpg Work - Films Posters The music of the Ahl-e Zikr of the Naqshbandi Sufi order is a part of Greater Khorasan’s musical tradition and belongs to a form of mystical-religious music. Noor Mohammad Darpoor is (in his own belief) the last custodian and reciter of this order in the Torbat-e Jam region. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/a0064c8d-17d2-43e4-b2ca-1a8241416878/Saeede+2007.jpg Work - Films Posters When you come into the world one minute late, the world tightens its space around you, and only the toes of your left foot remain for you. This documentary, focusing on the left toes of a woman with muscular paralysis, depicts human behaviors and desires as she endures extraordinary suffering to align herself with the conventional world around her. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/e1ecfffc-4ea8-4414-8ece-bd0d34cf6e84/Gahvare+2008.jpg Work - Films Posters https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/0473935a-b5ab-4cc8-bc93-344eeefd8c81/OldNew.jpg Work - Films Posters A field description of a village-town that, in a time long past, was old—then became new—and now, in its renewed newness, is growing old once again. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/276ab513-1d9f-49bb-81ed-c3459ad08fef/Shirin+2010.jpg Work - Films Posters When the tea fields run dry and the houses wither into worthless shanties, Shirin Nesa too is cast adrift- left without a home. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/79f41570-5aaa-434b-92f5-0b1cbd7b782e/Ezzat+2010.jpg Work - Films Posters The safe haven of the elders of Masuleh is a coffeehouse; a coffeehouse that has no meaning without its coffeehouse keeper, Ezzat, because it is there, and with Ezzat's presence, that old age, death, and everydayness—if not forgotten—are mocked. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/6b601651-9c9c-4121-83f0-8221ab36d7aa/Jolfa.2011.jpg Work - Films Posters This documentary is in Armenian and narrates the gradual emergence of literacy centers in the churches and formal schools of New Julfa in Isfahan over several centuries. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/b823ff21-61eb-4762-9038-27a44541989b/The+House+That+Lost+Its+Son+in+the+City+-+2011.jpg Work - Films Posters Manijeh is a lonely woman living in a modest house with a few cows, chickens, and roosters deep in the forests of Talesh. For years, she has lost her son in the city… she possesses no birth certificate, no national ID card, not even a photograph of him to help her find him. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/4c597868-b917-4cc4-ba60-bd917fc9632d/Moalla+2011.jpg Work - Films Posters moalla, uninhabited and silent, has long been empty, except for an old man, worn down by age, who, out of pride in being from Ma'la and love for his now-fading paradise garden, has not abandoned it. He tends to its dripping spring and fruit trees. Ma'la was a small paradise in the heart of the desert. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/b85c8492-5f01-43bc-ab3a-471fa17ccaa1/me+and+one+round+of+fishing+-+2011.jpg Work - Films Posters Fishing groups using the beach seine method in the Anzali coast go to the sea five times a day. This film captures the parallel movement of the fishermen’s fishing activity and the filmmaker’s recording of the fishing process. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/09a89ddf-7e9d-496c-b984-e1f54f145b80/The+Carpenter%2C+attar%E2%80%99s+son+2011.jpg Work - Films Posters For six months, Mr. Attarpour, the town’s veteran carpenter, hasn’t set foot in his workshop. Unfinished projects await his return, but when he finally revisits them, he feels he may have lost the ability to work, perhaps forever. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/d5a76c0f-3db8-4ebe-a738-724db5d56053/Nishtifan%E2%80%99s+Windmills+2012.jpg Work - Films Posters Khaf, the northern edge of the desert. South Khorasan. A place where water is not abundant, indeed, it is scarce. The people’s wheat must be ground, whether by windmills or watermills. Here stand the magnificent and astonishing windmills of Nashtifan, more than just one, many, rising tall and capturing the wind. And yet today, of all those windmills, though still standing, only one turns, powered by a single man, bringing fiery flour to the table, and that is all. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/93f01dee-23c6-4d49-9931-9d1f0a1f2890/The+Butcher%27s+boy...+2012.jpg Work - Films Posters The butcher’s boy spends his time playing with pigeons and taking care of them, but he also learns how to handpick, slaughter, and prepare the finest sheep for sale in their butcher shop. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/e3497bca-bd61-42c3-99ff-1131c0904c6c/ES.jpg Work - Films Posters Over the past decades, nomadic tribes and pastoral communities across Iran have gradually disintegrated, their ancestral traditions unraveling one by one. Yet, some tribes still resist forced dissolution and permanent urbanization. The Esmaeili tribe is among them. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/974fbc1a-269c-41bf-9b84-185020380160/turkmen.jpg Work - Films Posters The Turkmens have long believed that if they fall from their horse, they will lose their essence. Today, though they have fallen from the horse, it seems they have not yet fallen from their essence! https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/3e59c27e-8a4d-4f66-b0ce-b030f52c15cc/Bubble+2012.jpg Work - Films Posters My old friend Kambiz Sabri, an Iranian sculptor, told me about a very short performance many years ago and insisted that I make a film as short as that. I am a documentary filmmaker, and there isn't much fantasy in my films. Therefore, I always told him that he could do it himself with a simple camera. Kambiz's original idea involved an aquarium, a person in the aquarium, colorful fish, and bubbles and colors coming out of the person's mouth. All of this was supposed to become a one- or two-minute performance, either live or filmed, to be presented in a gallery. A year or two passed. The last time he came to me and talked about this idea, he insisted that it somehow be realized. I asked, "Is the aquarium ready?" He said, "It's ready." I said, "I'll make it. But not just what you said! I'll complete it with additional and complementary ideas." He agreed. And when I saw the aquarium that same day, my ideas expanded. The next day, with my camera, a simple crane, and a few lights, we started at eight o'clock in the evening and finished the work three hours later. Kambiz provided everything I asked for. He is an unpretentious and kind sculptor; from hot tea to a razor to smooth out his head and body, transforming him into a child... Small black, red, and white fish were already prepared in a small aquarium, and he had already practiced holding his breath. During the filming, he would come out, take a breath, and go back underwater. We changed the water three times. The last time, when the idea for the final scene came to my mind, we kept the dirty water to film it draining out. Sahar Fadaiyan photographed the behind-the-scenes, my dear colleague Majid Ghorbanifar was my assistant, and Faraz Fadaiyan assisted with editing and designed the opening credits of the film. Both Kambiz and I were not inclined to explicitly state the ideas and content of this short film. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/1cbdd8b6-0a62-44cc-8e61-dcefb7cc5c38/Ossa+Jalil%27s+Sickles+2012.jpg Work - Films Posters Ossa Jalil is one of the two elderly blacksmiths remaining in Masuleh. Although he continues to hammer on the anvil and hot iron beside the forge in his old age, the sorrow of losing his wife and the delusion of death never leave him. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/4b3dc6d6-0c34-4649-899f-c66c97a48d1c/Gisoo+2013.jpg Work - Films Posters Talesh. “Gisu” is a poor and lonely woman who lives in a forest hut. Years ago, due to an ailment, she lost her sight, but despite her loneliness and blindness, every now and then, she joyfully dyes her hair with henna with the help of her neighbors. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/c6a85c22-7c74-4116-baa7-411096a672ab/With+Yousef%27s+Cows+2013.jpg Work - Films Posters Yusef is an experienced herder who, due to suffering from acute cancer, has lost the ability to work. He transfers his cows and pasture to a young man who has recently quit his job as a factory guard in the city. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/2cacfebd-78f3-46ce-9100-aae9d713562d/Four+windows.jpg Work - Films Posters Four women from the village of Masuleh, alone yet together. They soothe their loneliness, in the absence of their children and husbands, in a shared courtyard. A courtyard that is the rooftop of another house. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/dcfe7ba0-7e00-4f8d-823a-7176e1a8ee35/Masouleh+laughs+with+khosrow+2013.jpg Work - Films Posters Khosrow, eighty years old, has a daily routine where he takes his sick and elderly wife, along with her hand-knitted sock frames, to the lamppost outside their home four times a day and then brings her back inside. He spends his days wandering around the village, engaging in lighthearted conversations with the men and occasionally the women. At the end of each day, Khosrow's wife waits for him by the lamppost. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/e5d7019f-eed2-4421-a327-7f4210c41070/This+house+is+my+mother+2013.jpg Work - Films Posters An old house in Isfahan. Four family members are debating whether to renovate the house or let it become a ruin and leave it; the desire to preserve and stay in the house is stronger than leaving it. In respect of the family's decision to preserve and renovate the house, I transferred the ownership of this documentary to the family. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/986ce48a-76ae-4014-9fb3-ec21dd7f2a3b/A+Report+On+The+Remaining+Doors+And+Windows+2014.jpg Work - Films Posters When walls collapse, doors and windows collapse with them, but doors and windows are more enduring. Collapsed walls are easier to rebuild. However, doors and windows have a different story. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/4bca7162-4063-4290-8a1f-87452ae2e729/The+Poet+Who+Gives+Bread+To+His+People+2014.jpg Work - Films Posters Sattar Souqi is a poet from the Turkmen people. Now, he also provides bread for the people of his village. He, his wife, and sometimes his son work tirelessly to keep their bakery running. His own house is right next to the bakery, with its entrance facing the street. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/30230897-6c56-464f-8ee6-deafb37b763b/All+Patients+of+This+Doctor+2014.jpg Work - Films Posters Khomam. Several generations of patients, who are now spending their old age, have been treated by him because they deeply believe in both him and his medical practice. They even get prescriptions from him when they are not ill, hoping that they won't get sick in the future! https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/9e071a8f-7be0-4de1-bea0-909ecc4069b2/This+Weary+Bamdad+1997+-+2015.jpg Work - Films Posters A documentary utilizing a portion of the footage and images that were intended for a multi-hour documentary titled 'Shamlou in the Mirror,' which, due to the untimely death of this esteemed poet and after a seventeen-year hiatus, has been transformed into a documentary titled 'This Weary Bamdad.' https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/15f3342b-e65d-407c-a7e7-d0e7b67aee79/A+Godar+Gathering.jpg Work - Films Posters The feature documentary 'A Godar Gathering' is a report on the music of a group of nomads from eastern Mazandaran, the Godar people. The Mazandaran nomads live scattered on the outskirts of towns and villages such as Nour, Chamestan, Amol, Babol, Qaemshahr, Savadkuh, Sari, Juybar, Neka, and Behshahr, extending to the foothills of the Gorgan mountains. The current population of the nomads in these areas is unknown, but it is estimated to be around thirty thousand. Most nomads, due to their constant movement, are largely deprived of urban and rural services. The Mazandaran nomads are primarily divided into two groups: 'Ghorbati' or 'Juki,' who are blacksmiths and woodworkers, and 'Godar,' who are wandering minstrels and hunters of boars in fields, reed beds, farmlands, and forests. It is said that these two groups of nomads were brought to Iran by Nader Shah after his campaign in India. Today, due to changes in urban and rural affairs and the obsolescence of many traditional agricultural and household tools, as well as the decline of local and ethnic music, these people, despite their hereditary and traditional attachment to their old customs, are forced to engage in other activities and jobs. The skilled minstrels of the Godar have managed to transform the music of eastern Mazandaran into a unique narrative by incorporating instruments like the dotar and kamancheh and by drawing on the music of northeastern Khorasan and Turkmen music. The Godar, like the Ghorbati or Juki, continue to lead a lifestyle that is uniquely their own. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/3cfe0caa-c64f-4eb8-9881-f91076067be7/Jahle+2016.jpg Work - Films Posters "Jahle" is a type of clay jug with a short or tall neck. People in the region of Hormozgan, until recently, used it to keep water cool in the scorching heat of the south. Only a few Jahle makers remain, mostly in Minab. Nowadays, Jahle is not only used for cooling water but also in some households, paper flowers are placed in them. Jahle is also employed elsewhere because of its rounded shape and delicate body. It is used as a kind of percussion instrument either individually, alongside other Jahles, or within a group of traditional percussion instruments. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/9f94932f-8dfe-4b6f-811c-8567dc2f452d/Sea+at+house.+Ship+on+the+wall+2016.jpg Work - Films Posters "Suru Neighborhood, Bandar Abbas. "Uncle Ali," the protagonist of this documentary, is a retired fisherman who has spent years fishing and sailing. Now, he is an elderly man, weathered by the rigors of life, and remains as the last remnant of the many fishermen of this neighborhood. Uncle Ali, still attached but disheartened by the palm trees, fish, sea, boats, and ships, spends his days yearning for them. He lives with his wife in a house where corners of the courtyard are reserved for their children. Despite his inclination and by compulsion, the palm trees of the house, one after another, have been trimmed into palm fronds by the hands of a skilled worker. Although Uncle Ali has eyesight problems, he meticulously paints boats, ships, and fishing vessels on the surface of a wooden board, along with all the details, using palm fronds and paint. These are the vessels he navigated as a fisherman for over forty years, ensuring that his grandchildren and children understand what his work and life were all about." https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/544ecd4a-ccda-4eb9-ad70-ae0ce199c73a/Two+Women+2016.jpg Work - Films Posters "For fifteen years, throughout all seasons, from dawn to dusk, they venture into the forest and foothills, picking and digging edible wild plants. In spring and summer, they transplant rice seedlings in other people's fields in the plains and valleys. This is how they sustain their daily lives. 'Olia' and 'Jan Khanum' both lost their spouses in their youth, and since then, they have taken on the responsibility of providing for themselves and their children alone." https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/8a96a00d-8ee1-45d2-8e2c-8c25e6bd98d8/SugareCane+Field+Lovers+2017.jpg Work - Films Posters Mosayeb and Zahra, traversing their sixth decade side by side, find themselves unrewarded for their toil, despite the bountiful oranges of their orchard and the sugarcane fields. Alas, the orchard's oranges have perished in the cold, and half of their sugarcane fields lie charred, a casualty of their neighbor farmer's neglect. This year, for Mosayeb and Zahra, the opportunity for revisiting their enduring love dwindles, overshadowed by the urgency of survival. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/dae27e4a-6f8c-4df8-bcf2-ff6c0fae0bb2/92-1+2017.jpg Work - Films Posters In a daily routine, ninety individuals with intellectual disabilities gather in one location. There, they are instructed on how to adapt to themselves, to others, and to their circumstances, using the limited cognitive abilities they possess. The aim is to enable some of them to reintegrate into ordinary social life... These individuals, both children and adults, are often viewed with embarrassment by society and many families, who withhold even the most fundamental social and individual rights from them. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/d80121c4-0e65-4090-9c92-ffabd58ee3be/The+Tale+Of+Ossa+Ahmad%2C+The+Carpenter+2018.jpg Work - Films Posters Ossa Ahmad is known to all the inhabitants of the semi-mountainous, semi-forested village of Mazandaran. He, in the past, has shaped and constructed the doors, windows, and ceilings of the neighboring houses and villages with his own hands. He is a nimble man with a slender frame, weathered by time but still engaged in the trades of carpentry and construction. Ossa Ahmad owns a plot of land for sugarcane cultivation and has a daughter afflicted with kidney disease. He is now concerned for both the health of his thirty-two-year-old daughter and the fate of his own home, which, like other handcrafted houses in the village, is at risk of collapse from mice and termites. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/6424a9f8-bdcf-4b4e-a0e3-4ccae0507d6f/Quarantine+Etudes+2020.jpg Work - Films Posters Throughout the months of the onset of the COVID-19 pandemic, the filmmaker spends his days and nights in quarantine conditions. He captures a series of such circumstances in fourteen episodes. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/79897685-0fd6-4424-9425-261a52877018/Surviving+Fortress+2021.jpg Work - Films Posters Morteza sells his entire life in the city and on the outskirts of the desert, buying an ancient castle connected to hectares of abandoned and untilled land, and thousands of hectares of semi-arid pasture for grazing, and two ruined Qantas. Now for thirty years, the Qantas have been revived, and the lands prepared for cultivation, and Morteza and his wife have chosen the farm for their life and work. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/8308fd90-d989-44a7-aa5c-0334098db3c7/A+Man+With+A+Cup+Of+Tea+Sand+2022.jpg Work - Films Posters This is the story of Mahmoud Zand Moghadam who has now transformed himself into a Baluch nomad; his ears, senses, flesh, bones, and clouded mind, all bear the marks of the suffering of this unfortunate people. His existence, wounded and battered by the battles of fate, has withdrawn into solitude to such an extent that it seems he himself is a Baluch, brought to life by the wrath of existence. A man harmed by the scarcity of bread in the course of life's hardships, and his share drawn from the sand-filled tea cup in the deserts of Baluchistan. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/884a8c51-794c-46bb-a9da-1d0e291489da/Lameh+2023.jpg Work - Films Posters Felt or "Namad" is an underlay that is not woven. It is made from the fleece and wool of sheep, camels, and rabbits, and it's crafted by kneading, pounding, and rubbing with human hands, feet, and elbows. Felt is one of the oldest and most primitive underlays in the world. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/c421c385-071a-4e46-a053-2d8d89edb256/Khalil+2023.jpg Work - Films Posters Name: Khalil. His profession: shepherd. Another skill of his, playing the “LaleVa” instrument. He isn't, by today's standards, considered an artist, as both of these professions are inseparable. Playing the “LaleVa is intertwined with shepherding. As a child, he learned the ways of shepherding from his father, who was a shepherd, and he mastered the intricacies of playing the “LaleVa on his own. He crafted the tools for this craft himself. The livestock, whether his own or others', were his responsibility. He had a wife, but she passed away long ago due to illness. He isn't sure how old he is—whether he's ninety or seventy-something! He has no connection to the town. Though he's compelled to stay in the city due to illness, even in sickness, he doesn't stop playing the “LaleVa, even if his breath, due to severe lung disease, doesn't support it like before. Coughs and occasional pains have become his refuge. For the past year or two, he's always yearning for his cattle and herds. He, who tended to livestock all his life, now receives care from his kind sister, resorting to the medications and treatments of the city doctor, albeit not as fondly as to the "Tah-Tune" for healing eye wounds. The "Tah-Tune" he crafted and adorned himself, in the most remarkable manner, with simple tools. Perhaps the "Tah-Tune" will bring his breath back to playing the “LaleVa. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/1ec836d4-eeb5-4987-bfc9-6142aa901c0a/Belqeys+2023.jpg Work - Films Posters Generations ago, amidst the lush landscapes of Mazandaran, mothers in both rustic hamlets and bustling towns bore forth abundant offspring. They not only nurtured their broods but also toiled the earth and deftly wove on looms whatever their hearts desired and hands could craft. And in the fullness of time, with steadfast resolve, they bore the pains and repercussions of their labors with grace. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/6fa3882b-c6af-4754-8dce-1afa22ba68b0/The+House+Whose+Sunlight+Was+Stolen+2025.jpg Work - Films Posters The erasure of a city’s memory is to abandon its old homes to ruin. It matters not who once owned each house; the more the city empties of them, the closer it draws to its own grave. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/983beb13-673b-4569-b421-bbd33a3b7837/Beneh+2025.jpg Work - Films Posters A simple reflection on the coexistence of humans with nature and animals. https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/a096a939-ba9f-45d8-8b4e-27a104cbcae0/My+mother+Borzolan+2012.jpg Work - Films Posters https://www.farshadfadaian.com/work/books monthly 0.5 2026-01-06 https://images.squarespace-cdn.com/content/v1/65fd4e9b147d9132515e0a5b/018d9d55-2fb9-4b56-acad-1359879e0d46/%DB%B1%DB%B4%DB%B0%DB%B3_%DB%B1%DB%B2_%DB%B1%DB%B5_%D9%86%D9%85%D9%88%D9%86%D9%87%E2%80%8C%D8%AC%D9%84%D8%AF_%D8%A8%D8%B1%D8%A7%DB%8C_%C2%AB%D9%85%D8%B1%DA%AF%D8%8C_%D9%85%D8%A7%D8%AF%D8%B1_%D8%B7%D8%A8%DB%8C%D8%B9%D8%AA%D8%8C_%D8%B3%DA%A9%D9%88%D8%AA%C2%BB%D8%9B_%D8%B1%D9%88%DB%8C_%D8%AC%D9%84%D8%AF_.jpg 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